Last Thursday, I reviewed A Life Between Us. Today I’m delighted to welcome Louise Walters to the Nut Press to talk about her second novel.
Louise, I’m interested in where A Life Between Us began for you.
I started with one character, Tina (called Nell initially), and I knew she was missing somebody important. Everything else followed on from that.
Do you think the story would have worked so well, had Tina and Meg been sisters but not twins?
Probably not; I think I ended up making them twins because of the overwhelming sense of loss Tina experiences. I think I needed the twin relationship to justify the way Tina behaves.
What is it about twins that fascinates? Is that relationship something you’ve been wanting to explore? And how did you go about researching and writing the bond between twins?
The twin thing was a later development. At first Tina talked to an imaginary friend, who became her dead sister, who became her dead twin sister. I didn’t research a great deal, to be honest. I just needed to get to know Tina, and understand the way she thinks and feels.
My dad is a twin, and I suppose I may have learned a few things over the years about twins! There is a strong bond between my dad and his twin brother. It seems unbreakable at times. But of course in A Life Between Us the bond is broken and poor Tina does not adjust.
How did you approach writing Meg, the dead twin? Was she a manifestation of a need within Tina or a ghost or a remnant because they were twins and had a close bond?
Meg was fun to write. I don’t know if she is “real” (ie, appears as a ghost to Tina) or if she is just a figment of Tina’s imagination – the result of Tina not coming to terms with Meg’s death in 1976. I have left it for the reader to decide if there is a “real” haunting going on here, or if it’s all in Tina’s head.
How did you decide when to set the novel, and how much leeway did you have in deciding which dates to use?
I knew I would be exploring Tina’s 1970s childhood, and as I got into the story I decided I needed to go further back to other characters’ childhoods too. It all became rather complicated for a while, and I had to disentangle lots of knots. Read more