Inspired by real events but told by fictional characters Clare Clark’s latest novel, In the Full Light of the Sun, puts Weimar Berlin and a van Gogh art scandal in the frame.
In the Full Light of the Sun follows the fortunes of three Berliners caught up in a devastating scandal of 1930s’ Germany. It tells the story of Emmeline, a wayward, young art student; Julius, an anxious, middle-aged art expert; and a mysterious art dealer named Rachmann who are at the heart of Weimar Berlin at its hedonistic, politically turbulent apogee and are whipped up into excitement over the surprising discovery of thirty-two previously unknown paintings by Vincent van Gogh.
In the Full Light of the Sun is split into three sections, each with its own year: the first follows Julius, art expert, biographer and critic, in a position to influence careers and fortunes, his own included, in 1923; the second takes up Emmeline’s hedonistic life as an artist and young woman in search of inspiration, work and love, four years later in 1927; and finally in 1933, there’s the diary of a Jewish lawyer involved in the resulting court case. Still struggling to cope with a tragic personal loss, his world is fast becoming a smaller and scarier place, but he lives in hope of someone stepping in to call a halt on it.
The novel depicts Berlin at the height of a dynamic period of creativity, apparent freedom and innovation. But such heady times don’t guarantee clarity of vision and Clare Clark shows here how greatly people can be blinded by the glare when things burn so brightly, often leaving them deceived. Read more