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Berlin Alexanderplatz Readalong Week Four

I can’t quite believe I made it to the end of the book after such an unpromising start but I did. Marking it as read on Goodreads (for the English translation, at least) felt pretty satisfying.

“Chapters” 8/9

  1. Reinhold is possibly the biggest villain in the story. Would you agree? Do you find his punishment satisfying? At one point.I was afraid that Reinhold might escape any justice but that administered by Franz’s friends, rather than the authorities, so I did like how he was brought in by the police, after all.He was one of the biggest villain’s in Franz’s story, for certain, but he certainly wasn’t alone in his villainy.

    But FRanz himself was his own worst enemy. And certainly no angel. He’d already served his time for murdering a girlfriend and had badly beaten another in this book.

  1. The quote that returns most frequently in the last chapters – at least as far I could see – is taken from Ecclesiastes (There is a time for everything, and a season for every activity under heaven . . . ) How did you feel about this use? Did you find it effective? I found it an effective way of grounding the narrative and allowing me pause for thought but I’m not sure how much more effect it had on me. I don’t think I particularly enjoyed it being rolled out at certain intervals or the tone it invoked jarred with me a little.
  1. Were you surprised by the ending? Yes, I was, although it felt as if was overshadowed by Mitzi’s exit from the story. I was still reeling from that storyline, but it was a surprise that the ending when it came wasn’t as bleak as I’d been led to expect.
  1. Looking back, what did you like the most about the book and what did you like the least?I really enjoyed the scenes where Franz was moving around the city or people were talking; there was a real sense of energy and movement in those scenes.I loved the rhythm of the dialect and how it felt as if people’s emotions were very near the surface; conversation always felt fraught with danger and full of passionate fury and tightly-coiled aggression.

    I grew to enjoy the use of montage once I was more accustomed to it interrupting the narrative and seemingly taking us off at a tangent. It gave me a different view of life in Berlin for a certain section of society at this time, and how they felt about the political changes happening.

    I didn’t like the portrayal of women in this book one bit, especially how they were handed around, pimped out, battered and beaten, and shown such disregard.

  1. Would you reread it and/ or are you glad you read Berlin Alexanderplatz? I was trying to read it in the original German and the English translation when I started off but soon found that time constraints made this difficult for me to keep up. I dropped the German version at about the halfway point and continued with the English translation to try and ensure I finished the reading in time and posted this last set of answers on the actual day we were supposed to.So… I intend to go back and pick up the original German version again next week. (Probably still relying on both the text and the audiobook, because that was so helpful to my understanding.) Does that count as a re-read? I think so!

    And yes, I am glad I’ve read it. I’d be interested in reading some commentary on it, both contemporaneous with its publication and up to the present time. I think that would be useful to my understanding and appreciation of the novel and preferably done prior to any re-read.

Thanks so much to Lizzy and Caroline for organising this readalong as part of #GermanLitMonth – your questions definitely helped direct my thoughts on the book and gave me a more focused reading of Berlin Alexanderplatz than I might have had on my own.

Berlin Alexanderplatz Readalong Week Three #GermanLitMonth

Week three and the reading was easier, although I’m further behind in the German original than I am with the English translation. More of a time issue than anything else.

“Chapters” 6/7

  1. The German original calls the chapters “Books” not chapters. In my opinion this is a gross error and robs the English reader of seeing some intertextual links. How do you feel about this? It didn’t really bother me that there was this difference. I thought the use of Books in the original German made sense when you view Berlin Alexanderplatz as a collection of writing on this section of Berlin society, their customs and beliefs and practices. Something akin to a religious text, with the quotes from scripture, religious imagery and references to characters and stories in the Bible only serving to underline this.
  2. Were you surprised to find out what happened to Franz after Reinhold pushed him out of the car? Do you find that Döblin is unnecessarily cruel to his creation? Yes, I was surprised when Reinhold did what he did.. I think because things happened so rapidly once he was in Magdeburg. Almost as if his arm was whipped off.Well, Döblin did warn us that Franz would be put through the ringer! A slow recovery wouldn’t have been anywhere near as interesting as the shock of Franz suffering life-changing injuries. It’s what writers do to their characters – put obstacles in their way to see how they react. The more shocking and larger the obstacle, the more dramatic the resulting narrative.
  3. What does Berlin Alexanderplatz tell us about Döblin’s “Menschenbild” – his philosophical conception of human beings?I think he explores to what extent we can or do self-define ourselves and to what extent our choices and the environment we live in help or hinder that. Do we have free will or are we a product of our upbringing, life experiences and whatever fate brings our way?
  4. Do you have a favourite character so far?Not really. I’m quite enjoying the bar scenes and the rambunctious energy of those, but I’m having a hard time finding anyone I really like that much.
  5. In these chapters, we see Franz attending political meetings. What did you think about these sections and his friend’s reactions?I thought these were fascinating, not only to see how what was happening was discussed, but what ordinary people felt about it all.I know that Franz’s friends were concerned for his welfare and what he might be sucked into, but I did feel that they discouraged him too quickly from getting involved. He needed a new interest and needed to form new friendships, something to keep him occupied, so he didn’t fall back in with the Pums’ gang.
  6. Most novels can be read without the reader knowing anything about the author’s life. What about this case? Were you compelled to read up on the author?I wouldn’t say I felt compelled and I didn’t want to find out anything about him until after I’d finished it.Reading the book has made me curious about its author but I wanted to come to the readalong free of any notions as to what extent the author drew from his own life experiences and how much of the book was a product of his research and imagination.

One week left and I might actually manage to make it to the end. But I’ve been frustrated with how little time I’ve had to read what others taking part have to say about the book.

If I do another readalong, I need to start the book sooner, read it and draft the blog post earlier and take part on others’ posts. I didn’t plan well enough to fit in with this one.

Berlin Alexanderplatz Readalong Week Two #GermanLitMonth

I made it to the end of week two but this was not without its challenges, either. Read on to find out why.

Chapters 3 – 5

  1. What do you make of Döblin’s structuring of the novel?  The short summaries at the beginning of each chapter, each section? The montage technique? Initially, I wasn’t a fan of the short summaries at the beginning of each chapter. I’d much rather not know what’s coming when I’m reading than have an expectation and for it not to be delivered in the way I expect or for the surprise to be taken away from me.As I mentioned in my previous post on the first two chapters, I also struggled to understand what was happening with Döblin’s use of montages because there was no clear demarcation between these and the narrative. But by this point in my reading of the text, I was more used to them and found them as interesting in some cases as the story of Franz and his companions. They all go to give a better sense of the city which Franz moves around in and helped me to build up a better picture of Berlin at this time.
  2. Women and the treatment of women in Berlin Alexanderplatz …. Discuss. Ha! How long have you got?! I think this has to be an aspect of the novel which is particularly problematic for anyone reading it in 2019, especially if you’re a woman. But I did try my best to put aside my feminist outrage and read it as a novel of its time and about this section of society. That’s not to say that it didn’t colour my impression of the novel and I have to admit that I did consider abandoning the book at times.Even though we know why Franz was in prison, it still came as a shock to see that none of the women in this book are treated well. The men use the language of normal, loving relationships to describe the women but they’re acting as their pimps and living off the proceeds of the women’s relationships with other wealthier men, each side is aware of the other and seem okay with sharing their women, and the women appear to enjoy having the opportunity to be the providers for their men.

    The way that Reinhold and Franz agree that one passes off his cast-offs to the other when he becomes bored of them is digusting, and I disliked both men for entering into this arrangement with each other.

    They’re bizarre relationships to get my head around and I would have liked to have seen one good, more relatable relationship included which balanced this out a little.

  3. This section introduces Reinhold, who will prove to be Franz Biberkopf’s main antagonist.  What do you think of Biberkopf’s initial underestimation of Reinhold? I think because Biberkopf’s life is taking a turn for the better and he is more sorted than he ever thought he would be on release day, this makes him blind to Reinhold’s potential dangers or faults.He also believes himself to be smarter than Reinhold and is too cocky about this. He seems almost over-ebullient about doing him a favour and thinks it a great lark, a game. He lets his defences down and Reinhold manages to quickly gain Franz’s confidence, as a result.

    I worried that Franz was too open with him but I genuinely think that he felt so happy about the way things were going, he didn’t look for warning signs and only looked at the positives. And some people are very good at charming their way into our confidence and lives, as Reinhold does with Franz’s here.

  4. What was the highlight of this section for you?  What the lowlight? What I enjoyed most about this section was Franz’s wanders around the city and the time spent in bars, the conversations he overheard or took part in. I was getting into the writing style and not finding the montages so much of a surprise, and this all helped to give me a feel for life in Berlin, and build up a picture of the city at this time.There were two low points and I can’t decide between them because they both made for difficult reading.

    One was the treatment of women in this novel, as mentioned above in response to question two, and the protracted, excruciating description of the slaughterhouse. That was tortuous to get through and I still don’t understand why it was included, unless it’s a metaphor for how people come in from surrounding areas to the big city and have the life beaten out of them in the process. Either that, or it’s to foreshadow something that’s coming later in the book, possibly?

  5. Do you have any further observations or questions you’ll be looking to answer at a later stage? Well, as I said above, I want to see what purpose that lengthy description of the slaughterhouse serves, and whether it’s picked up and alluded to later in the novel.I can’t see that Franz taking on Reinhold’s cast-offs is going to end well, but I’m also interested to see what additional role Reinhold plays in Franz’s story.

    I’m not sure I like Franz any better at this stage but I am getting more of a feel for his character and am starting to enjoy the dialogue; it’s ranty, opinionated, belligerent, but it has a real energy about it which I’m especially enjoying.

I’m getting into the novel now and am not finding its idiosyncracies so off-putting, so I think I’m going to keep going and find out how things turn out for Herr Biberkopf.

Berlin Alexanderplatz Readalong Week One #GermanLitMonth

As part of #GermanLitMonth, I’m taking part in the Berlin Alexanderplatz readalong. Week One was not a happy one at the Nut Press, which is why I’m posting this so very late in the month. I’ll let my answers to the discussion questions Lizzy set tell you why that was.

Chapters 1-2.

  1. Welcome to the #germanlitmonth readalong of Alfred Döblin’s Berlin Alexanderplatz.  What enticed you to readalong with us? It’s one of those books which comes up quite often in lists of German classics or novels you need to read, Berlin novels you need to read, etc, and I must have succumbed to one of those at some point because I bought it and it’s been sitting on my German bookshelf since last year for the German original, and earlier this year for the English translation.

    Now seemed as good a time as any to tackle it, what with the focus on Berlin for the 30th anniversary of the fall of the Wall, and having this fantastic opportunity to read it together with others. I thought that I’d get more out of it by doing that, especially with the discussion points each week and seeing other reader responses to those.

  2. Summarise your initial expectations.  Are they being met? I was interested in seeing if it lived up to being one of the great city novels, and what it told me about Berlin at this time; also why it was considered a classic and a must read. Once I heard that it had been compared to Joyce’s Ulysses, which I’ve read, I didn’t expect to like or understand all of it, especially in the original German, but hoped there would be at least a few sections I enjoyed reading!At this point, I didn’t like the book very much, and couldn’t see why it was considered to be a classic.

    I found Chapter One a real struggle to read and it took a while to work out what Döblin was doing by including things such as prison regulations and advertisements in his text with no line breaks from the rest of the narrative. He kept going off at tangents for no good reason and it felt like ending up in a cul de sac and having to find my own way back to Alexanderplatz, without any directions to help.

    I had a really hard time getting into the story and working out what was going on, above and beyond the fact that Franz has just been released from prison and seems to be scared of being back in the outside world. It took me a while to work out that he was actually taken in by the Jews and it wasn’t a drink or drug-induced hallucination of Franz’s. It seemed so other-worldly at the time I read it.

    The Berlin dialect didn’t help me any, either and slowed me down. I didn’t finish reading the chapters in time to post this on the first Saturday. But I decided to give it another go, downloaded the German audiobook from Audible and listened to that, while reading the German text, which helped so much. And I was back up and running!

  3. Which edition/translation are you using and how is it reading? If you’re reading the original German, is there anything noteworthy about Döblin’s language? I’m reading the Fischer Klassik edition (ISBN: 978-3-596-90458-7) for the German version and listening to the audiobook narrated by Hannes Messemer, downloaded from Audible UK. It’s supposed to be an unabridged version but it does skip some passages here and there. The English version I have is the the Penguin Modern Classics edition (ISBN: 978-0-141-19162-1. They’re both pictured above.

    I think Michael Hofman does a good job of translating the text while also giving you a feel here and there for the way the characters speak to each other, without using a corresponding English or American dialect. Not that I’m entirely sure what that would have been, or if it would have worked and captured the energy and rhythm of the Berlin dialect, had he done that. But it’s definitely something you miss out on, if you don’t read it in the original German or listen to the audiobook narration.

  4. What are your first impressions of Berlin and Franz Biberkopf? Berlin seems to be busy and chaotic, more of a building site than a city, but with all of this development work, it also seems to have an energy and dynamic that gives its people more opportunities to graft or hustle and scrape a living in all the turmoil. There’s a real buzz about it.

    Released from prison, Franz Biberkopf appears scared of being outside once more; he sees his release as more of a punishment than being in prison where he felt safe and more secure. He’s worried about straying too far from the red walls of Tegel which are all he’s known for the past four years as he ventures out into a world where he has to make his own way, instead of complying with prison regulations. He seems afraid of being out of control again and this is a city in flux, full of temptation, which could so easily lead him astray and feels more dangerous to him than being cooped up in a cell block with other criminals.

  5. Döblin’s original title was “Berlin Alexanderplatz” He added “The Story of Franz Biberkopf” at the publisher’s insistence.  Why do you think the publisher intervened in this way? How does this duality of focus manifest itself in the structure of chapter 2? I think because it’s easier for the reader to have an individual to focus on and whose story you follow over the course of the novel; it allows the reader to get to know that character, while seeing the impact which Berlin has on him and his life at this time, as well as those people he encounters along the way.It’s perhaps better than having a myriad of stories centred around a place, which might feel less like a novel and more as if it’s a collection of vignettes about people whose lives intersect with each other and the square. This approach of focusing on one character and the people he meets tells the story of the city in microcosm, and enables you to see the larger picture emerging of the city around him, while also being told this individual’s own experiences during this period.
  6. Do you any have any further observations or questions you’ll be looking to answer at a later stage? I’m hoping that I’ll feel more at home with the writing style and use of dialect, so that I can focus on the story more. And I’m interested in understanding why Döblin settled on Franz as his central character; perhaps it’s because Franz has been away for a while, and is having a hard time adjusting to being back in Berlin in the midst of so much disorienting change and upheaval. He’s landed in Berlin just as the reader is, and it takes us – and him – a while to find his feet and find our way into the story of this place.

Not a great start for week one. It took me longer to read the two chapters than I imagined it would, and I found it difficult to get into. I’m hoping that improves over the next week. Stay tuned to find out!

German Literature Month 2019

November is a busy month in the blogosphere with Novella Month, Non-Fiction November and German Literature Month all competing for the attention of bloggers who are up for a challenge. And while I’m tempted to do a couple of posts about the first two, it’s German Literature Month, hosted by Caroline and Lizzy, that interested me the most.

I’ve never taken part before because I’m usually caught up in the madness that is NaNoWriMo but, as I’m not doing that this year, I’m free to take part in #GermanLitMonth for the first time. I’m hoping it’ll kick start a more regular German reading habit and help me salvage some of my dwindling language skills. I’ve a trip to Frankfurt coming up at the end of the month, which is just the incentive I need to give it a shot.

It’s already the middle of the month and I hadn’t posted about my book choices, so here they are in both English and German editions:

Berlin Alexanderplatz (Fischer / Penguin Modern Classics) – Alfred Döblin. This is Lizzy’s choice for the month-long group read-along. It’s been languishing unread on my bookshelf for far too long, so I’m excited to take part and finally tackle this beast. Read more

Let’s play Spot the Difference with my 2019 #20BooksOfSummer Challenge

This was my first year taking part in the #20BooksOfSummer challenge run by Cathy over at 746 Books and it proved to be an interesting exercise for me. Not least because while I succeeded in reading more than 20 books (managing 29 in total over the 3-month period), I only stuck to half of my original selection which you can find here. The books I actually read are in the photo above (minus ebooks and a library book), with the ten books in the column on the left those initially chosen for the Challenge.

How did the books on the right replace the originals on my list and become part of my revised #20BooksOfSummer? Easy. They probably should have been there all along. I’d wanted to read and had agreed to review some, such as Something to Live For, Inland, The Light in the Dark & The Day We Meet Again; I was interviewing Laura Kemp at the Penarth Literary Festival in June, and prepped by reading The Year of Surprising Acts of Kindness & Bring Me Sunshine; I hadn’t included all the book group choices for the summer, which added The Doll Factory, The Immortalists & The Lost Letters of William Woolf to the list; and I also wanted to read a friend’s book, Widow’s Welcome, before its launch in August.

The additional books read were 7 ebooks, one proof copy and a library book: The Winker by Andrew Martin; The Most Difficult Thing by Charlotte Philby; Beneath the Surface by Fiona Neill; Then She Vanishes by Claire Douglas; The Perfect Wife by JP Delaney; Ask Again, Yes by Mary Beth Keane; The Daughter of Hardie by Anne Melville. The proof I read was Looker by Laura Sims and the sole library book was My Sister, the Serial Killer by Oyinkan Braithwaite. Thanks, I think in part, because I was on the road for 3 weeks over the summer, which made returns tricky.

I wasn’t very good at posting reviews as I read and instead concentrated on posting those I’d agreed to do to tie in with release dates or for blog tours. If I do this challenge again next year, that’s an area I could improve upon. As is reading posts by others taking part in the challenge. Read more

My #20BooksOfSummer 2019

Not having blogged since finishing the #AtoZChallenge in April and just over a week in, I’m joining in with the 20 Books Of Summer challenge hosted by Cathy who blogs over at 746 Books. All you need to do is read 20 books (or even 15 or 10, if you’re feeling pressed for time) between 3 June and 3 September.

I spent a good bit of time over the weekend trying to decide if I was going to choose a theme or not. For example, Karen over at BookerTalk is vicariously travelling around the world through her choices, which is a brilliant way to make the challenge fun.

In the end, I decided to go for a mix of review or book group picks with new releases I’m excited about reading.

Here are the books and, as it turns out, I’ve chosen ten hardbacks and ten paperbacks:

Madeline Miller’s novel Circe and Raynor Winn’s non-fiction The Salt Path, jumped to the top of my TBR pile thanks to them being book group picks for July and August. As a companion read to The Salt Path, I’ve also gone for Katherine May’s account of walking the South West Coastal Path, The Electricity of Every Living Thing. And to round out the South West grouping, there’s a collection of Cornish Short Stories edited by Emma Timpany and Felicity Notley to read and review. With contributions by established favourites Katherine Stansfield and Tom Vowler, I’m also excited to discover new writing within its pages.

I’ve been meaning to read Ben Ryan’s rugby book Sevens Heaven ever since it came out in May 2018. Not only did it recently win The Telegraph Rugby Book of the Year but it also won the overall Sports Book of the Year and, as it is Rugby Sevens time of year, it’ll provide me with my fix until the next club rugby season and the Rugby World Cup in Japan begin in September.

I’ve always enjoyed reading Elizabeth Day’s novels but this year I’m turning to her non-fiction title How to Fail. I’m hoping that it’s going to help me see my own mammoth failures of the past year in a whole new light and help me find ways in which to learn from them and perhaps even turn them around.

There are three other non-fiction titles on my list: Johann Hari’s Lost Connections which claims to have a fresh take on depression and anxiety and their underlying causes; I’ve long been a fan of Kerry Hudson’s fiction but this year she’s turned her hand to memoir, writing about growing up in poverty in Britain and revisiting those towns she lived in. It’s a book which has been widely acclaimed already and I can’t wait to read it this summer; and Marc Hamer’s mix of memoir and nature writing How to Catch a Mole, and Find Yourself in Nature promises to be well worth a read. I’ve enjoyed Marc’s poetry and am looking forward to reading this beautifully-produced book very much. Read more

In Search of Short Stories

(Some of) my collection of short story collections
(Some of) my collection of short story collections

November is traditionally the month of NaNoWriMo for many writers (good luck to all of you taking part!) but for me, this year it’s all about the short story. I’m in the second week of a five-week Short Fiction Masterclass and, around doing this, I’m spending time reading stories from those collections I own. Having gathered some of them together (not pictured are collections by Margaret Atwood or William Trevor), I realise this reading spree is going to take me on past the five, now four remaining weeks of the course!

I’ve just added The Lucky Ones by Julianne Pachico (not pictured) thanks to her shortlisting for the Sunday Times/PFD Young Writer of the Year Award 2017. But I want to hear from you and know what you’d recommend I read. Do you have a favourite short story or short story collection? Is it one of those pictured* above? Let me know what it is by leaving a comment below.

*If you have trouble reading some of the titles, click on the picture for a slightly clearer image.

Does Twitter sell books?

In 2010, I added to my world of books by building Twitter Towers* and here they are in all their glory. Unsurprisingly, Twitter Towers are made up of the books that I heard about through the social networking site. I know, I know. You don’t have to look at me like that… Even with my prodigious level of book-squirreldom, I was a little taken aback at just how many books I managed to accumulate in one year!

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