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Author Q&A: Dazzling the Gods by Tom Vowler

Image credit © Jojo Moreschi, 2018.
Image credit © Jojo Moreschi, 2018.

I’m welcoming Tom Vowler to the blog today. Tom is the author of short story collection, The Method, novels What Lies Within and That Dark Remembered Day and is here to talk about his latest story collection, Dazzling the Gods, which I reviewed for Wales Arts Review

Tom, you travel from Ireland to Paris, the Gaza Strip, from London to Lucca in Tuscany, and around the coast, woodland and countryside nearer to home in this collection. Is place the starting point for you when writing? 

Place can be a way into a story, yes, certainly the Paris fiction came after a visit to the Musée d’Orsay. I’m generally compelled to give the reader a ‘felt’ world, to ground and immerse themselves in, place often functioning more than just allegory or aesthetic, but as character itself, to take on meaning beyond its physicality. Proust spoke of landscape having four dimensions, the fourth being time, the places we inhabit having not just a present but a past and future. Characters must never be merely inhabitants of a place but products of it.

As I was reading, I noticed that lives and loves not fulfilling their potential is a recurring theme, with childlessness especially noticeable throughout the collection. Was this something that you wanted to explore in particular? 

Theme, for me at least, tends to emerge unconsciously, and I’m often unaware of such patterns throughout a collection until they’re highlighted by a reader. I suppose it’s hard to ever fully escape the primordial swamp of our psyche, and the short story more than most forms concerns itself with human truths more than escapism. And people who do fulfil their potential are generally dull, I find.

I hadn’t realised the prevalence of childlessness running like a seam through the collection. Oh the delight a psychoanalyst could take in trawling an author’s oeuvre.

In Lucca: Last Days of a Marriage, an editor works on a late author’s manuscript, someone who “troubled his sentences into existence, cared for them as one might a prized possession or one’s child.” Is this how you’d describe what you do as a writer? How would you explain it?

Very meta that story, probably too much so. I was drawn to the idea of a posthumous edit, how you might finish a manuscript for an author without demeaning it. The editor in question wrestles with this almost unreasonable task, to both second guess the author’s intentions and to remain consistent to the aesthetic course charted.

I do concern myself with fiction at a sentence level, yes, regarding them as units of energy that must function at optimum efficiency, neither over- nor under-written. I loathe writing that seems to merely borrow language as a basic tool with which to build the story, as if it had no significance in its own right. The best writing is troubled into existence, functioning on myriad levels, from the pragmatic to the sublime. Read more

In Search of Short Stories

(Some of) my collection of short story collections
(Some of) my collection of short story collections

November is traditionally the month of NaNoWriMo for many writers (good luck to all of you taking part!) but for me, this year it’s all about the short story. I’m in the second week of a five-week Short Fiction Masterclass and, around doing this, I’m spending time reading stories from those collections I own. Having gathered some of them together (not pictured are collections by Margaret Atwood or William Trevor), I realise this reading spree is going to take me on past the five, now four remaining weeks of the course!

I’ve just added The Lucky Ones by Julianne Pachico (not pictured) thanks to her shortlisting for the Sunday Times/PFD Young Writer of the Year Award 2017. But I want to hear from you and know what you’d recommend I read. Do you have a favourite short story or short story collection? Is it one of those pictured* above? Let me know what it is by leaving a comment below.

*If you have trouble reading some of the titles, click on the picture for a slightly clearer image.

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