Ali Land’s debut novel Good Me, Bad Me has as its narrator a distinctive female voice, one that grabbed this reader from the very beginning as she tells her story of escape and survival. This is a perspective which is fast becoming a trend going by my recent reads: victim lit or, perhaps more appropriately, survivor lit. I have a feeling that this is one book that’ll spark debate and it is ripe for wide-ranging, and heated, book group discussions. If you have the stomach for its subject matter.
‘NEW NAME .
Annie’s mother is a serial killer.
The only way she can make it stop is to hand her in to the police.
But out of sight is not out of mind.
As her mother’s trial looms, the secrets of her past won’t let Annie sleep, even with a new foster family and name – Milly.
A fresh start. Now, surely, she can be whoever she wants to be.
But Milly’s mother is a serial killer. And blood is thicker than water.
Good me, bad me.
She is, after all, her mother’s daughter…
Where Good Me, Bad Me works best for me is where Annie/Milly tells us about what it was like living with her mother and the new life she has with her foster family while she waits to testify at the upcoming trial. Her voice demands that we listen to her and it’s fascinating to hear about her coping mechanisms while adjusting to a new home, a new (albeit temporary) family, a new school at which she’s bullied, the tentative moves she takes towards making friends, preparing for and having sessions with her foster father/counsellor and giving testimony during the trial. It’s interesting to see which battles she picks to fight and when she decides to bide her time and save her strength. Her reasoning of her current situation and past and the mental manoeuvres she undertakes to function and keep her mother’s voice at bay were interesting and, of course, you’re never entirely sure how much to trust her or her version of people or events. Read more